Culture

How Brutalist Architecture Found Its Admirers at Last

By Oliver Ramsey · 2024-10-08 · 7 min read
How Brutalist Architecture Found Its Admirers at Last

Brutalism spent decades as architecture's most hated movement. The style's signature material — raw, unfinished concrete, from which the name derives (béton brut, raw concrete) — was associated with failed social housing, authoritarian civic planning, and an aesthetic hostility to human comfort. Yet since approximately 2010, Brutalist buildings have become objects of passionate preservation campaigns, architectural tourism, and social media adulation. The turnaround is one of the most dramatic reversals in twentieth-century aesthetic history.

The rehabilitation began with photographers. Tumblr accounts and Instagram feeds dedicated to Brutalist architecture — most notably the Brutalism Appreciation Society — presented these buildings stripped of their social context, as pure sculptural objects against dramatic skies. This visual reframing allowed a new generation to see what the buildings' original architects intended: formal boldness, material honesty, and a refusal of decorative compromise.

The Barbican Centre in London, designed by Chamberlin, Powell and Bon and completed in 1982, exemplifies the conversion. Once described by Queen Elizabeth II as one of the wonders of the modern world — reportedly with ambiguous enthusiasm — the complex is now one of London's most sought-after residential addresses. Its concrete terraces, elevated walkways, and lakeside conservatory offer a quality of urban living that newer, more conventionally attractive developments rarely achieve.

Tadao Ando's work provides a bridge between Brutalism and contemporary acceptance. His Church of the Light, the Chichu Art Museum, and residential projects across Japan use exposed concrete with such precision and sensitivity to light that they convert Brutalism's perceived coldness into a quality closer to serenity. Ando demonstrates that raw concrete is not inherently hostile — it is a material as responsive to care and attention as any other.

The SOS Brutalism project (https://www.sosbrutalism.org), an international initiative cataloguing and advocating for endangered Brutalist buildings, maintains a database of over two thousand structures worldwide, each documented with photographs, architectural descriptions, and current preservation status.

Visit one Brutalist building in your city with deliberate attention. Touch the concrete. Notice how light falls across its textured surfaces. Observe how the building's mass relates to its surroundings. Brutalism's recent rehabilitation suggests that aesthetic judgements are never permanent — that what one generation condemns, the next may recognise as honest, brave, and even beautiful.