Culture

Art, film, music, literature, and cultural commentary.

Showing 161168 of 168 articles

Why The Talented Mr. Ripley Deserves a Second Look
Culture

Why The Talented Mr. Ripley Deserves a Second Look

Anthony Minghella's 1999 adaptation of Patricia Highsmith's novel is more than a thriller about identity theft and murder in 1950s Italy.

Marcus Wei · 2026-05-05

Why Lost in Translation Deserves a Second Look
Culture

Why Lost in Translation Deserves a Second Look

Sofia Coppola's 2003 film is frequently described as a love story set in Tokyo, but that framing is too narrow.

James Alderton · 2026-05-05

Why Blade Runner 2049 Deserves a Second Look
Culture

Why Blade Runner 2049 Deserves a Second Look

Denis Villeneuve's 2017 sequel to Ridley Scott's landmark science fiction film was a commercial disappointment and a critical triumph.

Catherine Avery · 2026-05-05

Why The Grand Budapest Hotel Deserves a Second Look
Culture

Why The Grand Budapest Hotel Deserves a Second Look

Wes Anderson's 2014 film is often celebrated for its visual ingenuity and dismissed as style over substance.

Daniel Hurst · 2026-05-05

Why Phantom Thread Deserves a Second Look
Culture

Why Phantom Thread Deserves a Second Look

Paul Thomas Anderson's 2017 film announced itself as Daniel Day-Lewis's final screen performance and delivered a work that is simultaneously a portrait of artistic obsession, a horror film about control, and a love story in which vulnerability is the most terrifying act of all.

William Ashford · 2026-05-05

Why Drive Deserves a Second Look
Culture

Why Drive Deserves a Second Look

Nicolas Winding Refn's 2011 film is often remembered for its violence and its pink-cursive-on-the-poster aesthetic.

Daniel Hurst · 2026-05-05

Why Heat Deserves a Second Look
Culture

Why Heat Deserves a Second Look

Michael Mann's 1995 crime epic is remembered primarily for one thing: Al Pacino and Robert De Niro sharing a screen for the first time.

Daniel Hurst · 2026-05-05

Why Collateral Deserves a Second Look
Culture

Why Collateral Deserves a Second Look

Michael Mann's 2004 thriller was among the first major studio films shot primarily on high-definition digital video, a decision that was controversial at the time and prescient in retrospect.

Oliver Ramsey · 2026-05-05

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